Gone with the Bullets (2014) Watch Online Free
Set in 1920s Shanghai, Ma Zouri and Xiang Feitian establish a notorious beauty pageant called the Flowers Competition. All of the city’s elite attend the gala event, but when Wanyan Ying unexpectedly wins, it sets into motion a series of tragic events that change their destinies.
Gone with the Bullets (2014), directed by Jiang Wen, is an extravagant and layered film set in 1920s Shanghai. It weaves a complex narrative around a beauty pageant staged as a cover for money laundering, involving a quirky gangster, Ma Zouri (played by Jiang Wen), and a series of dramatic events stemming from his jealousy and greed. With its vibrant visuals and fast-paced storytelling, the film delves into themes of betrayal, power, and love amidst the volatile political backdrop of China’s Warlords Era. It’s the second entry in Jiang’s gangster Beiyang trilogy, following Let the Bullets Fly (2010), but stands as a unique work, brimming with eccentric humor, stylized violence, and elements of noir and musical genres
The film’s plot centers around a staged beauty pageant organized by Ma Zouri to help a wealthy man launder money. The contest attracts several women, but one, Wan Yanying (Shu Qi), catches Ma’s eye after winning the pageant. A chain of tragic and chaotic events unfolds as Ma becomes consumed by jealousy over Wan’s involvement with wealthy men, which leads to violent consequences. As tensions rise, the film turns into a commentary on the darker sides of power and human nature
Gone with the Bullets explores several compelling themes:
Visually, Gone with the Bullets embraces an over-the-top style, using flamboyant costumes, bold colors, and kinetic dance sequences that make it visually arresting. The film often feels like a wild, vaudevillian spectacle, filled with absurd humor and surreal touches. It’s akin to the works of directors like Baz Luhrmann in its attempt to captivate with style as much as substance
Jiang Wen, who also stars in the film, balances humor with darker moments, creating a film that is both comedic and tragic. His direction is bold, often subverting expectations by mixing genres—action, crime drama, romance, and musical elements—creating a unique cinematic experience
After watching Gone with the Bullets, you’ll likely feel a mix of awe and confusion. The film’s frenetic energy, its stylistic bravado, and its unpredictable shifts between humor and tragedy might leave you exhilarated but also reflective on its deeper themes. You might appreciate the political and personal complexities at play, and the film’s satire might linger in your mind as you process its message about the corrupting forces of power, jealousy, and human nature. However, its bold, sometimes chaotic narrative style could also leave you with a sense of disorientation, especially if you’re not familiar with the cultural and historical backdrop of 1920s China