A parasitic alien soul is injected into the body of Melanie Stryder. Instead of carrying out her race’s mission of taking over the Earth, “Wanda” (as she comes to be called) forms a bond with her host and sets out to aid other free humans.
The Host (2013), directed by Andrew Niccol and adapted from Stephenie Meyer’s novel, is a sci-fi romance set in a future where Earth is overtaken by parasitic alien beings called Souls. These creatures suppress their human hosts’ consciousness and take control of their bodies. The story revolves around Melanie Stryder (Saoirse Ronan), whose consciousness resists being fully suppressed by the alien Wanderer (nicknamed Wanda). As Melanie and Wanda form an unlikely bond, they join a human resistance group hidden in the desert, including Melanie’s family and love interest, Jared (Max Irons).
As tensions rise between humans and the alien-controlled Souls, the story explores love, loyalty, and identity. Melanie/Wanda’s inner struggle and their eventual cooperation become central to their survival and the human group’s fight against the alien invaders.
The film blends science fiction with romance, prioritizing interpersonal relationships over action-packed alien conflict. Directed by Andrew Niccol, the visual style contrasts the sterile, minimalist aesthetic of the Souls’ world with the rugged resilience of human survivors. The dialogue-heavy narrative delves into themes of duality, self-sacrifice, and coexistence but struggles with pacing and dramatic tension. While Ronan delivers a strong performance, the film was criticized for lackluster execution of its ambitious premise.
Watching The Host may leave you reflecting on themes of identity and the human capacity for love and understanding. While the film’s pacing and script might not appeal to everyone, its core story of cooperation between two disparate entities is thought-provoking. Depending on your expectations, you may feel inspired by its hopeful message or frustrated by its uneven execution